In an ever-continuing effort to guide my students in reading deeply and finding meaning in a text, I wanted to do something different near the beginning of Brave New World to help students see the complexity of the characters. When I read chapter four of Brave New World (for the 100th time), I knew this was the perfect place to try a new idea because Benard Marx and Helmholtz Watson are sized up (no pun intended) in Section 2. I love teaching foils because comparing characters (or settings, symbols, themes, or any comparison for that matter) is one of the easiest ways for students to notice differences and find an entry point to draw conclusions about the meaning of the work as a whole. … KEEP READING
This conversation happens frequently in my classroom; I’m guessing it happens in your classrooms as well.
Student: “What do you want us to annotate the text for?”
Student: “Yes, but should we mark similes, personification, themes, or what exactly?”
Teacher: “Sure – if you think they’re important and add to the meaning, mark it.”
And so it goes. (I just finished Slaughterhouse Five; humor me). … KEEP READING
One of my first lessons in AP or any senior level literature class revolves around the question of what exactly constitutes literature. Because I wanted to change things up this year, I have not done this lesson and am glad because now I am going to teach Bob Dylan.
Question 3 calls for students to answer a prompt using a novel or play that is a work of “literary merit.” Each year students ask if they can write on Harry Potter, The Fault in Our Stars, or The Cat in the Hat for the exam; (surprisingly none of my students have written on the latter to date). While I could direct students to a list of what I believe to be appropriate criteria for literary merit, I prefer to let students wrestle with the difficulty of literary merit before I offer my thoughts. … KEEP READING
No More Guessing on Author Intent in Mudbound – Susan Barber
After falling in love with the novel Mudbound last summer, I decided to make it this year’s summer reading. Mudbound has so many great teaching points from point of view, narrative perspective, characterization, symbolism, and themes that one could spend months uncovering the layers of meaning. Oh, and did I mention the story is high interest? Students came to class on day one anxiously awaiting discussion; they enjoyed the novel so much there were few complaints about having summer work.
… KEEP READING
I became an English teacher largely because I love literature. Most of us would consider ourselves “readers” and have a love for words that led us to this career. That’s why I was really surprised when I loved AP Language so much. There was no poetry, very little fiction, just nonfiction works (articles, essays, speeches, letters) to synthesize, analyze, and argue. AP Language gets down the building blocks of why and how an author uses words to achieve his purpose. From my first introduction to the course, I found myself analyzing every sermon, televised speech, and opinion column for its use of rhetoric. … KEEP READING
Writing a timed essay for the AP exam on “Juggler” by Richard Wilbur was much like juggling; students had to manage a prompt asking them to analyze the juggler and the speaker’s attitude toward the juggler while considering poetic devices Wilbur detail the juggler and the speaker. Trevor Packer from College Board posted on Twitter last week that students “continue to find analyzing poetry more difficult than prose” in regard to this year’s AP Lit exam; writing about poetry may be the biggest challenge for students in AP Lit. After reading approximately 1,200 students essays, here are my observations and takeaways from this year’s reading.
What Students Did Well:
- Taking advantage of multiple entry points in the poem
- Addressing both literal and figurative meanings
- Identifying poetic devices
Even though I definitely scored more lower level essays than higher level, I was surprised at what students were able to accomplish in approximately 40 minutes. Essays scoring a 4 often offered good thoughts about the poem but failed to go deep or back up ideas with textual support. I came away encouraged that AP teachers are teaching students to find the point of the poem they connect to or identify with and enter the poem there. … KEEP READING
The College Board dotingly refers to their first-time readers as acorns and even distinguishes us with an acorn on our name badge. “The Reading,” as it is so fondly referred to, is a surprisingly pleasant professional development opportunity that involves reading 1.2 million essays in a collaborative effort with colleagues from all over the country and even the world.
When the Chief Reader report comes out it will be a valuable resource for all teachers. According to College Board, sadly only 11% of teachers who access the exam questions take advantage of the material provided by the question leaders. This will use much more sophisticated vocabulary likely including words such as penultimate and ubiquitous. In the meantime, here are my observations as a first-time reader on Question 2 that are designed to be helpful for implementation into the AP Literature classroom. … KEEP READING
Many of the lessons I learned from reading Question 3 essay after essay were ones I’d learned before, but the prevalence of some the problems that cropped up reinforced in my mind the points I am going to emphasize with my students next year. Here are some of the crucial ideas I’ll be bringing to my classroom this fall:
Introductions: GET to the point and HAVE a point
AP readers who are looking at many, many essays for many, many hours do not enjoy reading lengthy introductions. Students have a very limited time to write their essays and readers will understand (and appreciate) not having to hunt for a thesis amidst historical accounts of the author’s time period and your thoughts on which politicians tend to lie the most. Do not bother to restate the prompt, as I can assure you, many, many students have already done and do not give a laundry list of the three literary techniques you will be discussing in your essay. Instead, formulate an idea that answers the prompt using the novel you have chosen and hopefully incorporating the meaning of the novel as a whole and get on with your essay. … KEEP READING
As excited as I was to teach Toni Morrison’s Beloved for the first time, I was also terrified. With the conservative culture of my school, its reception was, as I expected it to be—hesitant, at best. Concerns ranged from violence to sex, and the pushback allowed me to reflect on all the benefits of teaching Beloved. Now, years later, the novel remains as a mainstay in my AP literature curriculum. … KEEP READING
Understanding poetry can be such a daunting task for so many students — and so many teachers. As AP Literature teachers, we have the ultimate of challenges in equipping students for poetry analysis on a high-stakes examination. One of my most successful classes (like so many) was inspired by an AP conference I attended at Wake Forest University. It’s a simple concept that allows students to exercise the freedom of poetry. I often use this lesson sporadically with several different poems to remove some of the anxiety of poetry and allow students to take ownership of the poems. … KEEP READING